Michael B. Jordan [The Human Torch in Fantastic Four] responds to casting criticism

Michael B. Jordan [The Human Torch in Fantastic Four] responds to casting criticism

Michael B. Jordan: Why I’m Torching the Color Line

When Marvel announced who would be playing The Human Torch in ”Fantastic Four,” the Internet responded. Now it’s the actor’s turn.
by Michael B. Jordan

خليجية

Posted May 222020 — 3:58 PM EDT

You’re not supposed to go on the Internet when you’re cast as a superhero. But after taking on Johnny Storm in Fantastic Four—a character originally written with blond hair and blue eyes—I wanted to check the pulse out there. I didn’t want to be ignorant about what people were saying. Turns out this is what they were saying: “A black guy? I don’t like it. They must be doing it because Obama’s president” and “It’s not true to the comic.” Or even, “They’ve destroyed it!”

It used to bother me, but it doesn’t anymore. I can see every****’s perspective, and I know I can’t ask the audience to forget 50 years of comic books. But the world is a little more diverse in2020 than when the Fantastic Four comic first came out in 1961. Plus, if Stan Lee writes an email to my director saying, “You’re good. I’m okay with this,” who am I to go against that?
Some people may look at my casting as political correctness or an attempt to meet a racial quota, or as part of the year of “Black Film.” Or they could look at it as a creative choice by the director, Josh Trank, who is in an interracial relationship himself—a reflection of what a modern family looks like today.
This is a family movie about four friends—two of whom are myself and Kate Mara as my adopted sister—who are brought together by a series of unfortunate events to create unity and a team. That’s the message of the movie, if people can just allow themselves to see it.
Sometimes you have to be the person who stands up and says, “I’ll be the one to shoulder all this hate. I’ll take the brunt for the next couple of generations.” I put that responsibility on myself. People are always going to see each other in terms of race, but maybe in the future we won’t talk about it as much. Maybe, if I set an example, Hollywood will start considering more people of color in other prominent roles, and maybe we can reach the people who are stuck in the mindset that “it has to be true to the comic book.” Or maybe we have to reach past them.
To the trolls on the Internet, I want to say: Get your head out of the computer. Go outside and walk around. Look at the people walking next to you. Look at your friends’ friends and who they’re interacting with. And just understand this is the world we live in. It’s okay to like it.
Michael B. Jordan: Why I’m Torching the Color Line | EW.com

French Heartthrob Louis Jordan dies, 93

French Heartthrob Louis Jordan dies, 93

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Louis Jourdan, who crafted a Hollywood acting career in the footsteps of fellow dapper Frenchmen Maurice Chevalier and Charles Boyer and is best remembered for the musical “Gigi” and as the villain in James Bond pic “Octopussy,” has died at 93. According to his friend and biographer Olivier Minne, he died Saturday at his home in Beverly Hills.
Jourdan offered a certain effortless charm that worked equally well in light heroic roles and more sinister ones.
“He was the last French figure of the Hollywood golden age. And he worked with so many of the greatest actors and directors,” said Minne, who is working on a ********ary and a book about Jourdan.
In Vincente Minnelli’s 1958 musical confection “Gigi,” Jourdan starred with Leslie Caron and Chevalier in an effort from the creatives of “My Fair Lady” and highly resembling a Frenchified version of it. The New York Times said, “Louis Jourdan is suave as the hero who holds out against (Gigi’s) blossoming charms.”
The film won nine Oscars; while Jourdan was not among those honored, he did receive a Golden Globe nomination in the comedy/musical actor category.
Raising his profile in the 1980s were bigscreen appearances in Wes Craven’s campy monster movie “Swamp Thing” and James Bond film “Octopussy.”
The actor had made his English-******** debut in Alfred Hitchcock’s 1947 thriller “The Paradine Case,” playing a valet with mysterious motives, and then appeared with Joan Fontaine in the Max Ophuls masterpiece “Letter From an Unknown Woman,” in which he portrayed a playboy who barely notices the woman who ultimately commits suicide over him.
In Minnelli’s version of “Madame Bovary” starring Jennifer Jones, Jourdan played one of the men with whom Bovary becomes scandalously entangled.
He appeared in a pair of adventure pics in 1951, “Bird of Paradise” with Debra Paget and Jacques Tourneur’s “Anne of the Indies,” about a female pirate played by Jean Peters.
The next year he starred with Boyer in a very different sort of movie: the cozy, near-classic “The Happy Time,” about a boy coming of age in a French-Canadian family.
Jourdan reunited with Fontaine for “Decameron Nights” and returned to France to star in Jacques Becker’s 1953 film “Rue de l’Estrapade.” While in Europe, he also shot the very frothy romance “Three Coins in the Fountain,” in which he played an Italian prince.
Back in the U.S. he appeared opposite Grace Kelly in “The Swan,” in which Kelly played a princess who loves her brothers’ tutor, played by Jourdan, but dutifully marries a dour prince (Alec Guinness).
The actor explored darker territory as the insanely jealous husband of Doris Day in the Oscar-nominated 1956 thriller “Julie.” The same year he played opposite Brigitte Bardot in the French romantic comedy “Her Bridal Night.”
The actor seemed appropriately uninterested in his rather humorless role in the middling 1960 musical “Can Can,” which reunited him with Chevalier and also starred Frank Sinatra and Shirley MacLaine.
Jourdan made a couple of forays onto the Broadway stage in the 1950s, starring in “The Immoralist” with Geraldine Page and James Dean and in “Tonight in Samarkand.”
The actor had begun doing smallscreen work since 1953, appearing on episodic anthology shows such as “Studio One in Hollywood” and “The Ford Television Theatre” but most interestingly starring in the brief ABC rarity “Paris Precinct,” a series about French police detectives actually shot in Paris but intended for American TV. It ran for two seasons from 1953-55.
In the 1960s and 1970s Jourdan did his bigscreen work in mostly low-profile pictures, many made in Europe. These films included “Disorder,” “The Sultans” and “To Commit a Murder.”
He starred as the hero in a visually enticing 1961 French version of Dumas classic “The Story of the Count of Monte Cristo”; later he played the villain in a 1975 telepic adaptation of the tale that starred Richard Chamberlain.
Jourdan remained on the radar with work in a few prominent films: He played an unctuous ladies’ man trying to woo Elizabeth Taylor away from Richard Burton in the 1963 all-star pic “The V.I.P.s”; he was the narrator for Billy Wilder’s “Irma La Douce”; he appeared with Rex Harrison and Rosemary Harris in a 1968 adaptation of Feydeau’s “A Flea in Her Ear.”
On TV he appeared in the noted NBC telepic “Run a Crooked Mile” with Mary Tyler Moore in 1969; reunited with Chamberlain for another Dumas adaptation, 1977’s “The Man in the Iron Mask,” in which he played D’Artagnan; played the title character in “Count Dracula” for PBS’ “Great Performances”; and appeared in ABC’s 1979 miniseries “The French Atlantic Affair.”
In 1978 returned to Broadway after an absence of more than two decades to star in “13 Rue de l’Amour.”
He made his final TV appearance in NBC’s 1986 telepic “Beverly Hills Madam,” starring Faye Dunaway.
The actor returned for a “Swamp Thing” sequel in 1989 and retired to the South of France and Beverly Hills in 1992 after appearing in Peter Yates’ “Year of the Comet,” a misleadingly titled caper pic centered around wine.
Louis Gendre was born in Marseille. He was educated not only in France but in Turkey and the U.K. as well, and he received his training as an actor at the Ecole Dramatique. Jourdan’s film debut came in 1939’s “Le Corsaire,” and he appeared in several movies made by director Marc Allegret as war was raging in Europe, including “Les petites du quai aux fleurs” and “Twilight.”
In 2024 the actor was awarded the Legion d’Honneur in Los Angeles. Friends including Sidney Poitier and Kirk Douglas were there to congratulate him.
Son Louis Henry Jourdan died of a drug overdose in 1981. His wife, Berthe Frederique “Quique” Jourdan, to whom he was married for more than six decades, died last year.

Sara Bareilles Fires Manager Jordan Feldstein After GRAMMYs Scuffle With Osbournes

Sara Bareilles Fires Manager Jordan Feldstein After GRAMMYs Scuffle With Osbournes

Sara Bareilles Fires Manager Jordan Feldstein After GRAMMYs Scuffle With Osbournes.
By Shirley Halperin, Ashley Le
18 hours ago

Sara Bareilles has fired Manager Jordan Feldstein, who also counts Maroon 5 and Robin Thicke as clients, sources confirm to The Hollywood Reporter.

The singer, who performed With Carole King at the GRAMMYs, went home empty handed After being nominated for album of the year (for "The Blessed Unrest") and pop solo performance (for "Brave"). Though Bareilles and Thicke were both up for the evening’s top categories (Thicke had three noms and also performed With Chicago), Feldstein did not attend the Staples Center event on Sunday.

Bareilles informed Feldstein the following day that he would no longer be representing her.

The news comes After a strange Scuffle between Feldstein and Sharon Osbourne took place at Saturday night’s Clive Davis/Recording Academy-sponsored pre-Grammy gala at the Beverly Hilton hotel. According to E! Online, Feldstein was first spotted in the ballroom arguing With Kelly Osbourne, With her mother following up After her daughter stormed away from the music manager’s table.

"Sharon walked up to him pointing her finger and screaming," an eyewitness tells THR. With Bareilles seated nearby, Feldstein and "The Talk host apparently got into a heated exchange that resulted in Osbourne tipping over a plate of food on his lap and throwing water at his head. The fight apparently erupted over comments Feldstein made about Jack Osbourne and his wife. Says a source: "You don’t f— With the Osbournes."

The Osbourne-Feldstein encounter remained a hot topic of conversation as executives prepped for the awards show red carpet early Sunday afternoon.

Feldstein is the brother of Jonah Hill (who was hosting "Saturday Night Live" in New York City when the food fight broke out) and a childhood friend of Maroon 5 frontman Adam Levine. He has been managing the successful pop band for their entire career.

Feldstein and a rep for Bareilles did not respond to THR’s request for comment.

صور images فضيحة فضائح Pictures 2024Jordan Richardson